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Reprinted from:
Honar Nameh
University of Art, Tehran
No. 8, 2000
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A
brief of the article) |
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Research
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Comparison
of Traditional & Modern Miniature in Iran
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Art
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Three distinct
approaches have existed in the history of painting:
the imitative, the subjective and the divine.
The first two are frequently encountered in the
history of painting in the West, but the third
approach has its roots in the East, especially in
traditional Iranian painting.
However, with shaping of contemporary culture in Iran,
traditional painting has gradually lost its original
characteristics. As a result of this act of
unconscious modernizing, we are left with only a
colorful name, without authenticity in traditional
painting.
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Research:
Art |
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