|
|
Reprinted from:
Honar Nameh
University of Art, Tehran
No. 7, 2000
A
brief of the article |
|
.
Research
|
.
Modern
Art's Vision of the Object
.
|
|
Art
|
|
By: Homayoun
Sabeti Motlaq,
Iran |
.
Throughout the ages, the
artist has needed nature in order to draw and
illustrate. He has been required to refer to natural
objects and elements.
Even in those cases, where the artist has wanted to go
beyond nature and to refer to metaphysical concepts,
spiritual truths and expression of feelings, he has
had to utilize a metaphorical language derived from
nature.
However, impressions of nature and objects has been
varied. At times, the artist's aim has been one of
possessing an object.
At other times, he has selected natural elements, as
sacred spiritual symbols to draw and worship.
Narratives have been expressed through the relations
between natural elements. And exact replications of
the object, viewed by "Creative Subject"
have sought meaning through a new impression of
nature.
Today, the painter has posed a new question:
"Does not what we see depend on how we see
it?"
.
|
| . |
|
|
Research:
Art |
|
.
|
|