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Reprinted from:
Honar Nameh
University of Art, Tehran
No. 11, 2001
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A
brief of the article) |
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Research
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An
Introduction to the Theory of the Feature Movies
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Art
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By: Mohammad
Naqash-zadeh,
Iran |
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The movies appeal in the
first instance to what we see; and only then how to
see. To see correctly and precisely, we need a precise
visual order, organized on the basis of the subject's
requirements.
Consequently, the basic function of the picture and
the visual structure of the frame is to allow us to
see the action or adventure or anything else that
takes place and is important in the world beyond the
frame.
The believable picture or, more accurately, the world
depicted by the picture is the most essential factor
in the spectator's interest in the world of the
movies. Therefore, the most realistic movies are those
that convey the most complete illusion of reality.
They put the technical capabilities of the movie and
pictorial esthetics at the service of creating an
illusion of reality. The feature movies combines the
capacity to create a realistic (i.e. believable)
picture with the capacity of creating a dramatic (i.e.
imaginary and story-telling) illusion.
At its height, the movie reaches a believability that
is the combination of illusion and reality.
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Research:
Art |
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