in Barcelona, 1931
in Fine Arts School in Barcelona.
an inevitable phase in post-academic figurative, he became
more and more closely attached to non-figurative
aesthetics until he adopted a definitive position in
This coincided with the last phases of non-formalism, on
the basis of whose aesthetics he set out, albeit laterally
(within his own pattern of “tenebrism”) and without
failing to attempt purified syntheses.
Along with other groups of Barcelona painters, he has
worked to promote new aspects of contemporary painting.